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Fangio

by Peter Peter Hughes

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meltycat
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meltycat every few years i remember this album exists and it slaps so hard. thank you pph Favorite track: Operational Detachment Juan Manuel Fangio.
jpjs
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jpjs comrade petey makes good rocking tunes Favorite track: My God Is An Angry God (Juan Manuel Fangio Castiga Los Pecados Del Mundo).
acetone_kitten
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acetone_kitten abajo con el fascismo, el racismo, el sexismo, el capitalismo, hasta la victoria de la clase obrador, viva Juan Favorite track: Compared To Their Predecessors, Today's Politically Motivated Kidnappers Are Total Dicks.
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1.
once upon a time I couldn’t go out to eat without everyone in the room rising to their feet I couldn’t go shopping I couldn’t walk down the street but I traded that all in a long, long time ago in exchange for immortality, some sort of purchase on my soul I struck a sinner’s bargain late one summer night not to be a hero, but for the chance to make things right now I roll invisible, stripped of every badge for maximized efficiency I’ve but a single task I’m more than an assassin and I’m not a hired gun I’m Operational Detachment Juan Manuel Fangio I’m a special force of one
2.
find a light twin-engined airframe rip out all the seats stuff every inch with hidden bladders filled with aviation gasoline arm yourself with a small revolver garlic and cocoa leaves now you’re good for direct service from Florida to Medellín and if there’s E-2Cs around just stay under the radar and if the Sinaloa shoot you down just take one of these once you’re back in U.S. airspace stay beneath one thousand feet pick your favorite abandoned airfield and set her down nice and neat call your man to arrange the drop-off tell him where and when to meet announce your flight, you’re all alright now get yourself something to eat and when there’s federales on your tail you can jettison your cargo and if you need to spend a night in jail next time: submarines
3.
I killed a man in a synagogue last night I put him in a headlock and I squeezed out his cursed life afterwards I put the windows down and I drove til it was light I killed a man in a synagogue last night I killed a man at the Temple Beth last night when I was done I looked up and saw a god I recognized I said you know what he was doing here I hope that makes it right I killed a man at the Temple Beth last night I killed a guy in Jericho last night I killed a guy in Jericho last night for every set of circumstances there are corresponding consequences I killed a guy in Buffalo last night
4.
narcos in Colombia anthrax traced to Wichita backpack bomb Islamabad where you gonna run? IEDs in Kandahar hijacking Paris–Dakar you’re not the man they think you are where you gonna run? Juan, where you gonna run? when it’s you you’re running from the pirates of Somalia the thieves that guard LaGuardia they’re picking out a part of you where you gonna run? the face that haunts you in your sleep the threat that lurks on every street the promise that you couldn’t keep where you gonna run? Juan, where you gonna run? when it’s you you’re running from
5.
they met me at the airport just like they said they would one guy with a sign, two more with a hood we all nodded politely and headed for the door they bound my wrists behind me and put me on the floor two long hours in the back of a van driven badly around the city just as fast as they can off came the hood, up went the door and I got a funny feeling—I’ve been here before a business park on the outskirts of town three units back, two units down we scanned our palms and irises and stepped inside sure enough—there was my ride a Swedish stunner in Edwardian Gray with a sagging headliner and a dirty ashtray a two-liter four under a clamshell hood boosting plenty healthy and sounding good that roof so high, the hood so low the way the greenhouse wraps around its occupants it just says go I’ve never had a more faithful steed safety, comfort, stealth and speed it had been more than twenty years since I put her away but one whiff of cracked leather brought me right back to that day nothing that anyone could do about it now and there were more important issues at hand I grabbed that rubbery shifter and I threw it in first spun the front tires and launched with a lurch I had a pressing obligation one thousand miles away with a—well let’s just say “an old friend” across the high arid plains I drove all night not another vehicle or soul in sight sixteen valves tapping out the code the oldest song I know I reached my destination in a cold, cold sweat how I was received I honestly forget my friend must have known why I had come he didn’t even try to run that roof so high, the hood so low the way that function has made a slave of form it just says go I’ve never had a more faithful steed safety, comfort, stealth and speed
6.
Bebe's Song 03:20
well of course there were others in the end there was only one from the best days to the worst days to the broken, bloody cursed days you were my keeper, you patched me up what was in it for you, Bebe? through good and bad you were always there that husband of yours didn’t notice he didn’t notice or he didn’t care you gave up the child I gave you perhaps I was child enough you needed someone to take care of I needed your patience, I needed your love what was in it for you, Bebe? through good and bad you were always there that husband of yours didn’t notice he didn’t notice or he didn’t care
7.
who’s that driving that fancy car? Fangio, Juan Fangio! who’s that drifting that SLR? Fangio, Juan Fangio! who crossed the Andes in a rusty Saab? Fangio, Juan Fangio! who put the final bullet in Escobar? Juan Manuel Fangio who’s that leading at Monaco? Fangio, Juan Fangio! who’s that sideways through Nouveau Monde? Fangio, Juan Fangio! who gave the Heisman to Marilyn Monroe? Fangio, Juan Fangio! ¿quien es el hombre más macho? Juan Manuel Fangio
8.
late winter snow still on the ground eleven weeks now these guys aren’t fucking around it’s not like Havana in 1958 it sounds weird to say but those guys were okay a case could be made that they saved my life that day I remember talking Cuban sandwiches and beers which title meant the most to me? asked my most gracious host of me like Stockholm Syndrome except in reverse I charmed the pants right off of them smiling they sent me home again twenty-four years later I had a heart bypass I got a card: “Get well soon Señor Fangio” signed, Movimiento 26 de Julio a tu salud, Señor Fangio get well soon Señor Fangio Movimiento 26 de Julio get well soon Señor Fangio we miss you too Señor Fangio hope you’re doing good Señor Fangio things are good here Señor Fangio get well soon Señor Fangio
9.
Los Viejos 06:38
sometimes I miss my mom and dad my brother and his kid but I can’t afford to look back now it’s not like I ever did I lost my best friend on a road like this and another at the ‘ring since then the disappeared have piled high hands up if you know what I mean so as I drive along this precipice tonight it comes as no surprise when the mind begins to play its tricks and the ghosts pull up alongside Wolfgang, Luigi, Alberto Peter and Pierre Pedro y Ricardo look now, the gang’s all here
10.
I don’t like to kill it gives me little satisfaction to do what’s now required of the responsible man of action the psychopaths and sadists they bring such joy to the task but me, yeah, not so much why do you ask? it’s been too many years since I dropped in on Balcarce the town where I was born where I kept my Maserati it’s a sweet 250F I last drove at Spa, 1954 it was like an extension of my body then not anymore regrets, I’ve had a few well okay, I’ve had a lot I was courageous, a hero on the track and off it I was not I watched my countrymen sent off to their deaths and I never said a word instead I used my celebrity and my fame and I hid behind my name as a shield a fucking shield when it should have been a sword

about

When I was seventeen, for reasons that will remain forever inscrutable, I wrote a song for my Casio-powered solo project Party of One which imagined the 1950s race car driver, five-time Formula One World Champion, and Argentine icon Juan Manuel Fangio piloting a then-current 1980s-model Saab 900 Turbo across the Andes mountains on a covert mission to assassinate the Chilean dictator Augusto Pinochet.

Twenty-three years later I bought a well-traveled example of the ingeniously versatile car that accompanied the hero of that song, and began writing songs for an album that would pick up where “A Fangio for the ’80s” left off.

The real-life Fangio died in 1995, long retired from racing. On the track he’d been known as El Maestro—the teacher—and a legendary bad-ass. Off it, he was El Chueco—most commonly translated as “bandy-legs”—short, squeaky-voiced, the very essence of good-natured humility and universally beloved for it.

The Fangio of my imagination is slightly different. He’s still alive for one thing—though by what Borgesian mechanism it’s never made clear—and so haunted by his own refusal to speak out against the atrocities of Argentina’s Dirty War that he’s gone underground as a sort of international rogue agent, beholden to nobody and determined to clear his conscience by evening the score: against the CIA, against the cartels, against every agent of oppression that conspired to terrorize and exploit the people of Latin America over the last half century. This album should be properly read as one part DC comics, one part Tom Clancy novel, and one part Marxist revolutionary tract.

Fangio was recorded entirely at home, by me, using GarageBand—which, in its ubiquity, cheapness, and user-friendly simplicity, I regard as the clear 21st century successor to my old Casio MT-100. And it sounds like New Order because I’ve always wanted to play in a band that sounded like New Order. I make no apologies.

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released September 1, 2010

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Peter Peter Hughes Rochester, New York

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